Andi Otto ‎– Rwandance

15,00

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Sello: Shika Shika Collective,  SHSH032

Formato: Vinyl, 12″, 33 ⅓ RPM

País: Alemania

Publicado: 2020

Estilo: electronic , folk, world, country, experimental, african, downtempo

 

Disponibilidad: Hay existencias

Tracklist:

 

A1: Impundu

A2: Bagore Beza

A3: Icumarusika

A4: Igisasa

B1: Umuduri

B2: Ronde de Cinq

B3: Amahamba

 

Shika Shika is proud to present “Rwandance” the third album by German multi-instrumentalist Andi Otto. Anyone that has had the opportunity to see Andi’s live performance knows about his talent as cellist and was no doubt blown away by his self-made device, the “Fello” – a sensor-extended cello bow.

“Rwandance” sees Andi move into new territory – born out of a meeting between Andi and Rwandan musician and dancer Evariste Karinganire, while collaborating for the music of dance piece Planet Kigali.

“The idea was to first listen to a music archive of songs and instrumental recordings of instruments from Rwanda. Then I tried to transform this material into my own sound. I was mesmerised from the very first moment when I heard this beautiful language: Kinyarwanda alongside these instruments like the Umuduri a percussive bow instrument, and rhythmical structures, like the 5/4 and 3/4 feelings which are the basis of many songs.”

Andi has a talent for using technology in a way that is touching and touchable, enticing out warm and organic tones from his machines. On “Rwandance” this sensibility enters into a perfect dialog and harmony with the traditional Rwandan rhythms. His break away from the traditional 4/4 structures of electronic music is not only refreshing but full of groove.

“Planet Kigali“ was premiered at Kampnagel in Hamburg at the end of 2018:

“Planet Kigali“ is about a bunch of time-travellers who come back from the future to our present year. They remember that there had still been borders and passports in 2019, a fine, utopian plot… and they represent a hypothesis of what aspects of Rwanda’s cultural tradition could look and sound like in 200 years. The time-warp makes it possible to shift the focus away from the topic of the country’s horrible genocide. Instead of investigating a post-traumatic society, the piece tries to jump ahead to the future and to the past simultaneously. Between old memories or recordings and our dreams, fears or expectations of the future.

 

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